Sunday, June 1, 2014

June & July’s Essay_Noble Lies and Failures of Character


Many and sundry have been the attempts to “get a handle on” a difficult idea that seems to have its origins in Plato’s Republic—the idea of the Noble Lie. One recent transmogrification of that idea was in the 2008 Batman film, The Dark Knight.
            At the heart of this cinematographic narrative is the pattern of the black & white, yin & yang quality that defines Everyman. We are none of us entirely white, the Harvey Dent cum White Knights of the world who dare to oppose Evil in the open light of day; nor are we entirely black, the unproblematic embodiments of the unpredictable Joker, the modern Johnny Appleseed of pain and loss, of random suffering and harm.  Rather, Everyman is both of these in differing degrees of mixture; and in our best incarnations we are the tormented Black Knight, the man-bat, the creature who comes out of the night to drag bad actors and their actions into the light of day, and who, on a much more personal level, is consumed by his personal struggle to make sure that, most of the time, the enlightened goodness in his soul that reaches out for justice overshadows the gnawing, inky hunger of the psychic demon that urges him, almost irresistibly, to punish and to avenge.
            On this telling Harvey Dent fails to live up to his persona as the White Knight of Justice, and the darkness of his yin overawes the lightness of his yang. In his high-handed hubris Harvey Dent fails the task of being Everyman, unlike the unusual man-bat who manages, somehow, to balance delicately in the nether regions of his humanity the vital forces of his yin over and against his yang. In an additional and interesting move, the narrative flow of the film demands that the lead players mask the imperfections of the man under the “persona” of a social Story, a myth, a noble lie: that Harvey Dent died heroically in the line of duty, fighting for justice, and in the service of the community; for “the people” of the city must not learn that the man, Harvey Dent, failed; that he turned; that he became mostly lost in the dark. For the sake of the people the Cover Story must not fail; and even if the man behind the mask/myth/Story fails, the Narrative of Justice must not fail; it must remain eternal.
            When all is said and done, this filmic “read” is actually a faithful reflection and reworking of the idea of Plato’s noble lie as it has come down to us in the western thought traditions of philosophy and political theory. And that is unfortunate.

At the risk of sounding adamant, let us just say it right out in the open: Plato’s Republic, one of the perennial great works in the corpus of world literature, which has resided for centuries in the intellectual domain of political philosophers and theorists, is not really about a republic, ideal or otherwise. In the same way that war movies are not about war, i.e., their Subject is not “war,” but rather about Men’s Character and Human Action framed situationally around the thematic of war, so also, when Plato dramatizes a conversation with Socrates around a political thematic, it does not mean that the Subject of the work is political in nature or even anything that is remotely concerned with political thinking. Plato’s Republic is framed around the idea of the City; the City, in turn, is built in the image of Human Ontology, and seeks to answer the question – what is a man? How should a man act? What role does right education play in the evolution of the human mind and soul? As the soul goes, so goes the City.
            If we fail to grasp this distinction between the Subject of a work and its opportunistic framing or narrative thematic, then with works such as Plato’s Republic or Machiavelli’s The Prince, once they are construed as political and philosophical earnestness, we who come after are obliged to construct interpretations that correct other interpretations, because we have inadvertently created a whole new set of interpretative problems by committing to read literally, and failing to read metaphorically.
            For example, by committing to a political interpretation of Plato’s Republic, we create an antique Frankenstein in the person of the great Socrates, thereby “disappearing” this invaluable thinker behind a political interpretative persona. This tradition’s earnestly political “read” of the Republic includes almost all the great thinkers, except Augustine, from Aristotle to Machiavelli, and, in the contemporary political philosophical arena, from Karl Popper to Leo Strauss. And, yet, this telling also transforms the story’s hero, the Socrates of the history of philosophy, into the much more well-known Franken-Socrates, once-upon-a-time master teacher of the life of the Just Man, who seems, all irony aside and in great seriousness, to be making the case for Justice and the Just Man by promoting the practice of euthanasia, social classism based on racial purity, selective breeding, and telling noble lies to motivate people to act well in the City. Really?!
            This philosophical transmogrification of Socrates is simply too implausible, though, and so the tradition ends up speaking dismissively of the Franken-Socrates it has created because he is simply too Hitlerian to retain any “street credibility” philosophically speaking.  This interpretative process is what a sin against Thinking looks like.
            At the end of the day, with transmogrifying interpretations such as this we end up dismissing the work not only because it portrays for us a Socrates qua Machiavellian prince, which violates our politically correct sensibilities, but also because we do not find other cases made in the Republic, such as the case for an ideal state, to be politically persuasive in general. So the thought tradition that wanders down this Holtzweg succeeds only in creating an anti-Socrates—but then this might have been its intention all along. And perhaps there is yet some masked man “out there” who will come along, some man-bat or Lone Ranger of philosophy, to help us out of the intellectual quagmire created by such a mishmash of thinking and interpreting on this question… Quien sabe, Kemosabe?
             
So how might we make better sense, for example, of Resp. 377c: "it is imperative for the rulers of the city to supervise the makers of tales," and of the idea of the Noble Lie that follows? In Resp. 414c we begin to learn about this γενναῖον ψεῦδος (gennaion pseudos), which better translates as a false (lying, untrue, mendacious, fraudulent) genealogy (family history). So our adopted family history, “according” to Socrates, would actually have two parameters. The first is that the citizens of the “Socratic” republic are earth-born, which is to say that we are all inter-related and therefore interconnected. This is a straightforward idea borrowed from the Stoic philosophers. The second parameter is that, as with all that is earth-born, we each contain elements from our Mother, but not necessarily all the same elements. Some of us are born out of gold metal, some from silver, and others out of bronze. The metal core of the individual will determine his worth and role in the city.
               At face value, at least for politically minded thinkers, the Noble Lie is essential for the political apparatus to maintain stable social structures; it is a lie, in the sense of an “opiate for the masses,” that is force-fed to the masses to subdue them, to keep them happily at their stations in the structures of state. If this argument is teased out literally, we arrive at the conclusion that Socrates promotes, in an ideal kind of way, the practice of euthanasia, social classism, racial purity and separation, selective breeding, and the telling of “lies” to motivate people to behave themselves in their social environment.  
               Yet, this simply cannot be the case, unless, like Mark Anthony before us, we philosophers-turned-Philistines also come to bury Socrates, not to praise him; for it will be true of this Franken-Socrates, as with the many others who have shared similar controlling, manipulating, and authoritarian ideas, that “The evil that men do lives after them.”

However, what if we tease out this argument metaphorically? What if we seek to praise Socrates rather than to bury him? Most philosophers would agree, generally, that there are two ideas that must remain consistent and valid for any interpretation of Plato to be plausible. He was clearly a dualist who thought that unchanging truth was possible. Conjecture and Belief, thought Plato, are forms of knowledge linked to the changing world; True Knowledge (or “Seeing”) and Wisdom, on the other hand, are linked to things that are by their nature eternal and unchanging, such as the Forms or Ideas. In this respect Plato shows that he was influenced by the 5th century philosopher from Elea (Southern Greece), Parmenides.
            In his poem, On Nature, which is by and large the most significant fragment still existing from Parmenides, he tells the story of the Young Man who, in his quest for virtue, which is the philosophical or just life of True Knowledge, sees all things (ln. 3) with the same eternal and unblinking Gaze as the Goddess (Muse) (stanza 25-30).  
Meet it is that thou shouldst learn all things, as well
the unshaken heart of persuasive truth, as the opinions of
[30] mortals in which is no true belief at all.

Χρεὼ δέ σε πάντα πυθέσθαι
ἠμέν Ἀληθείης εὐκυκλέος aτρεμὲς ἦτορ
[30] ἠδὲ βροτῶν δόξας, ταῖς οὐκ ἔνι πίστις aληθής.

Where Parmenides speaks in his poem of “opinions,” this idea will translate into Plato’s thought as “Belief,” a type of knowing reserved for transient things instead of permanent things; and as this lower form of knowing is juxtaposed over and against True Belief in Parmenides, so it is as well in Plato, where “Seeing” will be the knowing of eternal truths, of things that are not subject to change because they are transcendental, hence unchanging and eternal.

The second concept that must remain consistent and valid for any interpretation of Plato to be plausible, is that he was enormously impressed by his teacher Socrates, who was not so much a teacher of Justice, but rather a teacher of the Just Man. Ironically, it is precisely this distinction that allows one to begin unraveling Platonic thought from Socratic thought. A Platonic Socrates, one might expect, might normally articulate some clear teaching on Justice as a permanent and eternal value; this would be consistent with Plato and his love of the Idea/Definition of things. However, this does not seem to be the case in most of the Platonic dialogues involving Socrates, especially the so-called aporetic dialogues. These dialogues are problematic, aporetic, precisely because, in a decidedly unplatonic move, Socrates does not provide us or leave us with any definition of the virtue desired, such as Piety (Euthyphro) or Justice (The Republic). Instead, the historical Socrates argues against such an Eternal Definition of the virtue in question, by showing that any such argument must necessarily contradict itself; and he leaves us understanding and valuing the perception that, as he might have said, I may not be able to find a full-proof definition of Justice, but I can recognize a Just Man from a mile away.

So, in fact, it will actually be the Socrates of history who shows us that Noble Lies, however this idea might be variously interpreted in aftertimes, will have no effect upon the man whose character is not naturally virtuous. A myth or belief of any sort, genealogical, religious, or nationalistic, even though we might be born into it and know nothing else our entire life, will ultimately be for naught if the individual man fails to act out of a fundamental sense of his own character’s virtue. According to Socrates, failure of individual character necessarily trumps any mythological or metaphysical prop; because virtue does not derive from some Belief or other, but rather from individuals who act out of Reasoned Seeing.

So how does this little reflective journey inform those of us who, worlds away from the Greece of antiquity, live in an existential no-man’s land where, possibly for the first time in human history, there is an opportunity for true and authentic individual freedom (for better and for worse), a land where ancient philosophico-religious mythologies yet still hold sway, and where every variety of nationalism scorches the earth of our souls?

Is truth possible? Plato thinks so, as does Socrates; although their conceptions of truth were quite distinct—Plato’s being framed by an other-worldliness, and Socrates’ by a this-worldliness. Yet either conceptualization of truth would have the effect of bringing like-minded (philosophical) men together, of unifying those who seek to live out the virtuous life. This is one of the true teachings of Plato’s Republic. This philosophical truth stands in obvious contrast to the idea of binding differently-minded men together through any variety of Noble Lie, viz., genealogical, religious, or nationalistic, thus seeking to enslave their emotions rather than to persuade their reasoning minds.

WWNS? What Would Nietzsche Say, perhaps, or a Nietzsche inspired philosopher, about this meandering reflection on noble lies and failures of character?  In the unappeased craving for the freedom to think thoughts that are truly his own, and in light of the fact that we are so obviously wandering around lost in the undefined fields of human existential history, Nietzsche might encourage us to break free of all of the noble lies that surround us, or at least as many as we become aware of. A State’s noble lies certainly have no supremacy when measured against the truths of our philosophical wanderings; and the role of a free-thinking res cogitans is, precisely, not to allow itself to be duped by a state’s myths about foundations or origins—beliefs and myths such as patriotism, father- or mother-land, God & Country, among all the others.
            In The Dance Song, a discourse found in Part II of Nietzsche’s Thus Spoke Zarathustra, Nietzsche helps his reader “feel” the nostalgia that permeates the life lived outside the comforting confines of the foundational myths that surround us, the myths by means of which we construct our very personal identity, and without which we are the ultimate Stranger: at once native, and yet oh so very foreign in this our native land.
An unknown presence is about me, and gazeth thoughtfully. What! Thou livest still, Zarathustra?
Why? Wherefore? Whereby? Whither? Where? How? Is it not folly still to live?—
Ah, my friends; the evening is it which thus interrogateth in me. Forgive me my sadness!
Evening hath come on: forgive me that evening hath come on!"
Thus sang Zarathustra.

Ein Unbekanntes ist um mich und blickt nachdenklich. Was! Du lebst noch, Zarathustra?
Warum? Wofür? Wodurch? Wohin? Wo? Wie? Ist es nicht Torheit, noch zu leben? –
Ach, meine Freunde, der Abend ist es, der so aus mir fragt. Vergebt mir meine Traurigkeit!
Abend ward es: vergebt mir, daß es Abend ward!«

Also sprach Zarathustra.

And what would an individual’s life outside the foundation Stories and Myths look like? How do we recognize the life of the man who is free? Frankly, no one really knows.  Nietzsche simply tells us that this transformation of the way our minds think will make of us children again—New Beginnings who are free to explore to our heart’s content. “Innocence,” he writes in The Three Metamorphoses, “is the child, and forgetfulness, a new beginning, a game, a self-rolling wheel, a first movement, a holy Yea (Unschuld ist das Kind und Vergessen, ein Neubeginnen, ein Spiel, ein aus sich rollendes Rad, eine erste Bewegung, ein heiliges Ja-sagen.).” Nietzsche does not seek to validate any particular code of moral behavior; any moral/ethical construct will do the job, including the heroic and virtue ethics, religious ethics and deontology, and all the various incarnations of a utilitarian calculation.

As a suggestion, though—perhaps we might adopt as philosophically unproblematic in this new life of the child, that we may assume the general rightness or propriety of courtesy toward the Other, and kindness, and consideration.
            If there are Dissenters from this idea-axiom, then they may abstain from reading further, as they have already clearly abstained, by dissenting from this fundamental valuation of Self in the form of the Other, from thinking humanely about their fellow humans. As they progress along their dissenting path, we may await any and all conduct/thought… for the failure of character, the lack of the will to virtue, is already evident.

There is certainly a dilemma here, though, as we try to imagine a thought-life outside of our Stories; and I can absolutely see why Wittgenstein did not write much in his life. Imagine: here we all are, sitting around at the foot of Wittgenstein’s Mauer des Schweigens, the wall of silence beyond which knowledge is impossible, and so silence becomes the byword… And yet that very silence is equivocal—it has two voices. Because just as the “word” cannot embrace the transcendental “thing,” the thing on the other side of that Mauer of silence, which is by its very definition “no-thing,” nor can a “word” rightly encompass the immanent “thing” on this side of that Mauer. If the word is not the thing, then all it can do is reach up toward whatever inchoate obscurity it is trying to grasp in an attempt to get us, approximately, to some kind of meaning.     At the end of the day, Wittgenstein’s thinking succeeds in reminding us that we are isolated in the time capsule of ourselves, in the closed loop of our own reasoning processes. Pace Wittgenstein, though; for Lady Philosophy still has her role to play in sorting out the noble truths that will help ground the Historical Animal who is slowly descending into the quagmire of fleeting time.

Perhaps, after all, it is for the best that Wittgenstein did not write much.
 

Thursday, May 1, 2014

May's Essay_The Erotic Life



At times my email exchanges with former students go something like this (the most recent thread with this particular student begins with yet another in a running string of random questions):
Student: What do you think about witchcraft? Do you have any favorite books?
Teacher: Excuse me?!! Do I look like Wikipedia? You can't just continue to ask me questions without giving any of you...!
                  What about the plan to sail around the world?
                  Who are your favorite storytellers?
Student: Okay okay... Forget the witchcraft talk... Let's talk about Love instead...
What do you think of love? A goal of life? What's your take on soulmates?
Teacher: I'm afraid I don't do the soulmate thing... the idea first came out of Aristophanes, a comedic poet who fuses the souls of Robin Williams, George Carlin, and Eddie Murphy. So the idea is not born of an idea at all! What would I say about Love? I suppose it would be something like: keep the sentimentality, but don't be blinded by it; and keep up, daily, the discipline of being actively considerate of the Other.
                  Does that do anything for you?
Student: Ha, those words of wisdom inspired a smirk...

This rather scantily clad “conversation” is representative, of course. Likewise, I have to admit that many times these dialogical nuggets of data-exchange leave me bemused, other times, stymied; and this particular interrogative snippet had the dubious virtue of leaving me both bemused and stymied. However, it also got me to think along the track of how we can or might reflect on the Goals & Purposes of our life: What is the meaning of life? Is there a purpose to my life? Such is the alchemy of the philosophically geared mind.

Georgia O'Keefe_Black Iris, 1926
It is an enigmatic peculiarity of our world that occasionally, just like with Georgia O’Keefe’s images, things are not entirely as they seem to be. There are going to be times, for example, when a flower is really not just simply a flower…
            So like Life itself, which attends naturally to its vast variety of seeding and flowering activities, Thinking is also an irrepressibly erotic activity—a coupling, an attempt to create unity within disunity. It is through Thinking that we strive to bring disparity into harmony, to join together that which seems to us disjoint. And Philosophizing, which seeks to grasp in its noetic embrace whatever Insight and Clarity might be gleaned from thinking about Man-in-the-world, is the most erotic of all human activities. Is philo-sophia not, after all, a Falling in Love with, a Yearning for, a Lusting after Insight (Wisdom)? An insatiable craving for Meaning?
            It would seem, though, that the Days-of-Our-Lives reflect back to us all too often the Story that we are loosing our way in the Trivia Vitae of day-to-day activity. And yet we start out so well! When we are young and just entering into the fray and looking forward to changing the world—the world, our Life, charms us with an almost infinite array of promise and potentiality. Then at some point along the way we seem to enter into a mist-bedecked bog of banalities, which encumber and indeed constitute the part-and-parcel actuality of living day to day… cleaning toilets, washing dishes, doing laundry; getting achy, getting sick, or even just getting a little sneezing fit; or coughing; cleaning up after the dog, or the children; folding clothes; eating, drinking, staring out the window, cleaning up in the garden; reading, watching movies, talking, not-talking, crying, feeling sad, feeling joy, feeling nothing in particular; remembering; wondering what could have been. These are the quotidian events that end up marking, day in and day out, hour after long hour, and minute-by-minute, the paths of our individual passage through the spaces of the world.
            We did not ask to be thrown into this Flood of Life; so it is easy to believe, as we swim around looking for handholds to help keep out heads above water, that there is no particular purpose to our individual lives. However, wisdom traditions of Eastern and Western Thought try to show us ways out of the bog—ways we might transcend the banality of living by probing into the secret places of our erotic natures in order to birth our Life as a work of art. Because there are actually an infinite number of purposes to our being in the world, and each, in some way or another, takes the form of the Other, including the Other that is our-Self. This is the very essence of eroticism and the erotic life.

Our word erotic comes out of the Greek word, Eros, which originally referenced the god of desire, or eros tout court, which has the sense of sexual or sensual vigor. In the earliest Greek tradition, which derives from the poet Hesiod (c. 700 BC), Eros was a primordial god who was already present in the earliest days of the world. Parmenides (c. 515 BC) modifies this tradition slightly, making of Eros the first of all the gods, thus making Eros/eros both the unifying principle (Eros) for and the ferocious and vitalizing “Urgewalt” (Picht, 326), which is to say the elemental erotic power (eros) within all things that come into existence. Eros/eros will be much diminished in later narrative traditions, and in particular in the Latin tradition, when the original Greek principle/power, which is as irresistible as it is permeating, becomes much more narrowly individuated, embodying Aphrodite’s youthful, and sometimes diminutive son, Cupid.

There are a variety of erotic traditions available to us in our narrative heritage. Famously, of course, there is the tradition of Homer’s Achilles in the Iliad, who is so enraged at the death of his beloved friend Patrokles that he threatens to demolish the entire Trojan army. Zeus actually has to step in to avoid ultimate calamity, so Achilles then turns his erotically induced wrath upon the body of the enemy who had killed his friend, the Trojan prince Hektor. A second important movement of eros in the poem will also inspire Achilles to yield up the body of this same enemy to the Trojan king, Priam, Hektor’s father. Achilles models for us two very distinct types of erotic activity – that of sorrowing for his fallen friend through his destructive wrath, and, in what might seem an irrational reversal, that of yielding to a sorrowing father’s request and paying honor to the body of his valorous warrior son, Hektor, nobly fallen in battle, even though it was Hektor who killed Achilles’ beloved friend.
            In the Odyssey Homer also gives us the story of Odysseus’ eros for the day of his homecoming, his nostos, an unquenchable desire that emboldens the hero to stand fast in the face of the obstacles thrown against him by the gods to hinder his homecoming from Troy. There is no doubt that eros sustained our hero over the ten long years of his return; but it was a wide-ranging eros –for his throne and his son and his wife, but also for the life that had been his prior to his departure for the far-away plains of windy Troy some 20-years earlier.

There are other erotic traditions revealed in Sophocles’ drama, Antigone. In the Theban civil war, one son of Oedipus stood with the new king, Creon, while the second son dared to oppose him in rebellion. Both sons are killed during the rebellion, and Creon decides to honor the dead body of the one and to leave the other’s body to rot on the battlefield. The new king’s proclamation, of course, created an impossible erotic tension between the love & obedience due to the state, and the love & obedience due to the gods, which required the dead to be honored by burial. So Antigone, sister to both brothers, defies eros to the state, demanded by submission to the king’s edict, and follows instead a pious eros, showing deference to the gods, and buries the rebel brother’s body. Greek tragedy being what it is, being seduced by the right eros brought disaster to Antigone, and being solicited by the wrong eros brought disaster to Creon. Everything was erotic, but nothing was happy. Sigh…

In a rather different, but enormously suggestive erotic tradition, the Greek poets also lay out for us the story of Prometheus, who, all traditions combined, stole the eternal fire from Zeus and gave it to men. Generally speaking, the interpretation of this Promethean tradition tends to link the idea of the eternal fire to some sort of human intelligence, or reasoning, or skill in the arts. This tendency is certainly confirmed by Plato’s dialogue, the Protagoras, where it is argued that even Prometheus’ name, derived from pro- (before) and manthano (to learn), suggests a knowledge-based underpinning to the legend.
            There were many Christians in the first three centuries of the Christian era, called Gnostics, who believed that the Christian message, beyond the elements known and obvious to all, also contained “hidden” insight or some “other” wisdom that was knowable only to the initiated or to true believers; this is the meaning of the Greek gnosis.  So it will be interesting to note that later gnostic Christians advanced a reading of the Genesis Adam and Eve story that was profoundly informed by the Prometheus legend. The cast of characters on this Hellenized gnostic telling will be, of course, Adam and Eve as mankind—the beneficiaries of knowledge; God, of “you must not eat from the tree of the knowledge of good and evil, for when you eat from it you will certainly die,” fame, who does not want man to have knowledge (in the role of mean and unfair Zeus); and the Serpent, the dispenser of knowledge or wisdom (fire), who generously thinks Man should not be left in the darkness of ignorance.
            Unlike the Hebrew story, where knowledge was to become a stain on the human condition, on this gnostic telling knowledge would become a sacred trust from the benevolent god. Later echoes of this gnostic tradition, which put the accent on the umbilical and life-giving link between “true” knowledge and Men’s unsated thirst or desire to acquire that knowledge, will arise in the period of German romanticism, inspiring, notably, Goethe’s poetic hero Faust (cf. Kapitel 4), who ponders on the profundity of his ignorance and on how to live within the confines of sorely limited, and ultimately useless human knowledge.
            Because poetry is such a voluptuous language-event, and because of the suggestive way poetic word-play and imagery penetrates into the secret places of our imagination and tempts us to “wonder” at the foreignness of its subject, both the original language and the translation of poems are here included—for the sheer and unadulterated pleasure of the words, both known and unknown.

Habe nun, ach! Philosophie,
Juristerei und Medizin,
Und leider auch Theologie
Durchaus studiert, mit heißem Bemühn.
Da steh ich nun, ich armer Tor!
Und bin so klug als wie zuvor;
Heiße Magister, heiße Doktor gar
Und ziehe schon an die zehen Jahr
Herauf, herab und quer und krumm
Meine Schüler an der Nase herum –
Und sehe, daß wir nichts wissen können!
Das will mir schier das Herz verbrennen.

[Faust. Have now, alas! quite studied through
Philosophy and Medicine,
And Law, and ah! Theology, too,
With hot desire the truth to win!
And here, at last, I stand, poor fool!
As wise as when I entered school;
Am called Magister, Doctor, indeed,—
Ten livelong years cease not to lead
Backward and forward, to and fro,
My scholars by the nose—and lo!
Just nothing, I see, is the sum of our learning,
To the very core of my heart 'tis burning.]


Then, of course, there are also more physical erotic traditions in our narrative heritage. In the Inferno, for example, the 13th century poet Dante Alighieri immortalizes for us (in Canto V) the lovers Paolo & Francesca, who are remanded to the second level of hell for their illicit love. Dante’s depiction is both beautiful and insightful, because the very lust that brought these two lovers illicitly together would forever after remain to poison the well of their love, whereby Dante reminds us to love for this life, but with honor and purity. Vulgarly translated: beware what you wish for…

Poi mi rivolsi a loro e parla’ io,
e cominciai: «Francesca, i tuoi martìri
a lagrimar mi fanno tristo e pio.
Ma dimmi: al tempo d’i dolci sospiri,
a che e come concedette amore
che conosceste i dubbiosi disiri?».120
E quella a me: «Nessun maggior dolore
che ricordarsi del tempo felice
ne la miseria; e ciò sa ’l tuo dottore.
Ma s’a conoscer la prima radice
del nostro amor tu hai cotanto affetto,
dirò come colui che piange e dice.
Noi leggiavamo un giorno per diletto
di Lancialotto come amor lo strinse;
soli eravamo e sanza alcun sospetto.
Per più fïate li occhi ci sospinse130
quella lettura, e scolorocci il viso;
ma solo un punto fu quel che ci vinse.
Quando leggemmo il disïato riso
esser basciato da cotanto amante,
questi, che mai da me non fia diviso,
la bocca mi basciò tutto tremante.
Galeotto fu ’l libro e chi lo scrisse:
quel giorno più non vi leggemmo avante».
Mentre che l’uno spirto questo disse,
l’altro piangëa; sì che di pietade140
io venni men così com’ io morisse.
E caddi come corpo morto cade.

[Then unto them I turned me, and I spake…: "Thine agonies, Francesca,
Sad and compassionate to weeping make me.
But tell me, at the time of those sweet sighs,
By what and in what manner Love conceded,
That you should know your dubious desires?"120
And she to me: "There is no greater sorrow
Than to be mindful of the happy time
In misery, and that thy Teacher knows.
But, if to recognise the earliest root
Of love in us thou hast so great desire,
I will do even as he who weeps and speaks.
One day we reading were for our delight
Of Launcelot, how Love did him enthral.
Alone we were and without any fear.
Full many a time our eyes together drew130
That reading, and drove the colour from our faces;
But one point only was it that o'ercame us.
When as we read of the much-longed-for smile
Being by such a noble lover kissed,
This one, who ne'er from me shall be divided,
Kissed me upon the mouth all palpitating.
Galeotto was the book and he who wrote it.
That day no farther did we read therein."
And all the while one spirit uttered this,
The other one did weep so…]


In Romeo & Juliet Shakespeare stages for our viewing pleasure the eros, the elemental attraction, that binds one person to another, one family to another, one group to another, and dis-plays for us the idea that as love destroys destructive and mistaken opinion and prejudice, so it is also the causal force that brings new life to a community. From the same period, and in a depiction of perhaps the most erotic Villain of literature, Milton shows us a Satan in Book 9 of Paradise Lost, whose villainy is absolutely dumbfounded in the presence of the Beauty Desired—Eve.
If chance with Nymphlike step fair Virgin pass,
What pleasing
seemd, for her now pleases more,
She most, and in her look
summs all Delight.
Such Pleasure took the Serpent to behold [ 455 ]
This
Flourie Plat, the sweet recess of Eve
Thus
earlie, thus alone; her Heav'nly forme
Angelic, but more soft, and Feminine,
Her graceful Innocence, her every
Aire
Of gesture or
lest action overawd [ 460 ]
His Malice, and with rapine sweet
bereav'd
His fierceness of the fierce intent it brought:
That space the Evil one abstracted stood
From his own evil, and for the time
remaind
Stupidly good, of
enmitie disarm'd, [ 465 ]
Of guile, of hate, of
envie, of revenge;
But the hot Hell that
alwayes in him burnes,
Though in mid
Heav'n, soon ended his delight,
And tortures him now more, the more he sees
Of pleasure not for him
ordain'd: then soon [ 470 ]
Fierce hate he recollects, and all his thoughts
Of mischief, gratulating, thus excites.

One of the most truly inspired, and philosophically informative erotic narratives of world literatures, however, comes out of a general reading of Plato’s philosophical dialogues, in which he rehearses for our viewing pleasure and edification the life of Socrates. In the Phaedrus, for example, the premise of the narrative is anchored in an analogy of a horse-drawn chariot, which may perhaps seem to be the least erotic of all possible analogies. And yet it is with precisely this un-erotic analogy that we arrive at the crux of Socrates’ argument concerning eros, which is that Men are empowered, moved, and motivated, in their most fundamental self, by erotic forces; and that if they respond with nobility and goodness to that eros, and control their erotic, essential madness with reason (the well-trained horse), then they become philosophers. If however they respond basely to eros and give reign to their essential appetites (the wild horse), then it will be the madness that controls the man, in which event he will become tyrannos or tyrant. On this telling, the dichotomy between the philosopher and the tyrant is the split between the reasoned life and the life of faith. The erotic man is the philo-sopher, while the mad, the irrational man, is the tyrant.

The dialogue in the Platonic corpus that penetrates most directly to the erotic heart of the question of Eros/eros, is of course the Symposium, a text that has been used in association with all manner of peripheral agendas, from justifying the idea of soul-mates, to ongoing conversations on sexuality, eroticism and pornography, to a defense of the gay rights platforms. And while one may certainly debate the particular interpretative spin given to this dialogue in relation to any of these cursory agendas, the handiness of the Symposium to the question of sexuality is certainly obvious—because the Symposium is in fact about sex, broadly conceived!
            When we read the Symposium as a debate about what constitutes the very best type of sexual or erotic activity, it becomes clear that not all sex is really sexy at all; and Plato’s multi-layered vision of eroticism seems to have found resonance in later “science,” which regularly suggests through its popularizing internet voice, that the only sex organ not to be ignored is the one firmly nestled between the ears!
            So the Symposium is about how to determine what is the best kind of sexy sex in a world full of sexual opportunities. There can be no disagreement with Arieti’s conclusion about the Symposium in his 1991 book, Interpreting Plato (p.99), that “each speaker takes the topic of sex and etherealizes it until we get the quintessential transformation of sex into philosophy by Socrates.”
           
Now instead of going into the more superficial details about the assorted rhetorical forms the speeches take in the Symposium, and the philosophical merits of whatever particular points of view might be represented in the 6 (+ 1) speeches, let us just step away from the various minutiae in order to focus on the bigger philosophical canvas that Plato seems to be painting for us in this dialogue. There are six speakers anticipated, according to order, in the evening’s festivities: Phaedrus (1), Pausanias (2), Aristophanes (3),  Eryximachus (4), Agathon (5), and Socrates (6). The normal positions of emphasis are, of course, the first speaker, the middle speaker, and the last speaker, which would mean we should look for especial significance in the speeches of Phaedrus (1), Aristophanes (3), and, predictably, in Plato’s regular hero, Socrates (6). But then two events occurs: Aristophanes (3) is overtaken by an almost life-threatening case of the hiccups, which means the order is inverted, becoming (1) (2) (4) (3) (5) (6) with  Eryximachus (4) becoming emphatic; and then a drunken Alcibiades (7) crashes the party and decides to add his two-cents’ worth of encomium in praise of Eros, making the final order: (1) (2) (4) (3) (5) (6) + (7).
            What does this ordering and disordering in terms of our conversation about Eros/eros mean to us? At the very least the inversion and the addition of a 7th speaker changes the emphatic positions of the speakers—we still have Phaedrus (1), but we now revert once again to Aristophanes (originally (3), then changed to 4th position due to hiccups, but now firmly sandwiched in the middle again with 7 speakers (1)-(2)-(4), Aristophanes, (5)-(6)-(7)), and we close the dialogue with Alcibiades (7) instead of the much anticipated Socrates. Likewise, we seem to have lost Socrates in the Symposium, as astonishing as that might seem; for on an evening devoid of any feminine presence, Socrates chooses to mask his speech behind the persona of a woman called Diotima, a wise priestess, and behind her rather other-worldly framing of Eros/eros. So it is from a woman after all, from Diotima’s reported speech, that we hear that the highest form of erotic activity is the desire or lust for learning and wisdom and the beautiful.
            So what do we learn philosophically about Eros/eros from Plato’s Symposium? From Phaedrus (1), Pausanias (2), Aristophanes (3),  Eryximachus (4), and Agathon (5), we learn about this-worldly forms of eroticism ranging from heroic motivation to male love; from truly homo-erotic love, the desire for the true self as the complete self, which is at the heart of Aristophanes’ image of soul-mates, to  Eryximachus’ metaphorical understanding of the art of the healer as essentially erotic, as a bringing again into bodily harmony that which was disharmonious or dis-eased; to Agathon, who, although speaking rather religiously about great Eros, thinks of himself, winner of the prestigious drama prize in Athens, as the Beloved of the city—the Poet as the embodiment of the Erotic.
            From the first five speakers in the Symposium we learn about physical and emotional types of eros. From Diotima/Socrates, however, we learn that this type of materially anchored eros is limited because it does not take us, either ultimately or even eventually, to satiety or to happiness, but only back again to desire, to a wanting appetite, which reveals within us a lack of that which is desired, and which, given the nature of materiality, will remain unsated until the death of the body.  So by Diotima via Socrates we are lifted up one rung on the ladder of understanding eros as we learn that the thirst for learning or wisdom or the Beautiful Good is a higher form of eros than a simpler body form of eros, and that pursuing this type of higher thirst, this soulish eros, which ennobles our souls, will in turn make us beautiful with its noble beauty.
            Then there is Alcibiades (7)… what are we ever to make of this drunken, symposium-crashing noble, arguably the most physically beautiful and desirable man of Athens and general of her armies? In crashing this symposium on the subject of Eros/eros, and in deciding to make a speech as well, what does this uninvited intruder, Alcibiades, choose to talk about? Socrates. So it is to be from Alcibiades, then, the most physically desirable man of Athens, that we learn that Socrates, arguably the ugliest man of Athens, is actually the most desirable, the most erotic man of Athens, because he embodies what is truly beautiful to the highest degree—the beauty of the virtuous soul seeking the good and the beautiful.
            On the big philosophical canvas of our lives, then, Plato’s contribution to our thinking about the Erotic Life is to show us how to reason our way to higher forms of erotic activity, and then to the very highest level of eros, which is to pursue the life of the Socratic philosopher—ever desiring for and yearning after the Just Life, the Honorable Life, the Good and Beautiful Life.

In our life we will always have before us the opportunity to transform our-Selves into works of art. Our palette of colors, of course, will not be composed of greens and reds and yellows, but rather of the various Goals & Purposes that we try to sketch out for ourselves, and that we try to pursue as we wander through the playgrounds of our Life. There can be many meanings to our life—each one the creation of our own private artistic inventiveness. There can also be many purposes to our life—each as beautiful as the Will to Beauty that moves us to etch our soulish portrait into the shifting mandala of time. Such is the alchemy of the erotic life.

Tuesday, April 1, 2014

April’s Essay_Do you recall what was revealed / The day that Thinking died…?


American Pie Redux

In March’s Phrontisterion essay, which is entitled Sightedness, there is this statement about Shakespeare’s Macbeth: “More than a simple exercise in morality, however, Macbeth is also a study in the different types of ambiguities that exist, or that can exist, in a world in which gods, and knowledge touching upon gods, are hidden behind an impenetrable cloak of obscurity. This is precisely the problem in the “world” of Christianity, after all: that knowledge has been replaced by belief; and, at best, belief is subject to any All and Sundry’s uninformed, blind, interpretation.”

A Reader responded at some length to the premise of this idea. 
I liked your piece but felt like I had to take you to task on it… […]"For now we see through a glass darkly".  These are the words spoken by a man many years after his own blind eyes were made to see.  Before making this proclamation he also said, "For we know in part", acknowledging that for all of the enlightenment given to him, and acquired over the course of a lifetime, he remained, essentially, in the dark.  And is that not the real plight of everyman as clearly reflected in the literary treatises of the world?

What world literature demonstrates time and again is that everyman, in every literary culture of the world, has struggled with the question of - "what lies beyond the veil after the silver cord is cut?".  And ultimately, everyman must come to terms with the fact that this is just as unknowable as the question of "where did we come from?".  And so we see the writers of great literature puzzling over these great questions and illustrating both the questions and the struggles through the lives of the characters in their stories.  The endurance of these stories over time lies in their ability to resonate with a particular audience.  The real question about the stories may not be so much in whether they are factually true in every detail as it is about their ability to inspire the reader in a way that motivates him or her to strive to be something greater than the natural bent of his or her character.  The problem with the non-Christian world is the tendency to embrace those stories that affirm their natural bent and to reject those that challenge their own sense of self-goodness.

When considered objectively, the "Christian" narrative is quite different from the other narratives in the world which employ a device representing an appeal to some sort of divinity. The gods of world literature are fickle, selfish, narcissistic, and cruel.  While the same may be said for the portrayal of the God of the Old Testament, the Christian narrative is radically different.  Accept it as historical fact, or reject it as pure mythology, there is no denying that the message of the narrative is drastically unlike any other literary story in the world.  One may stumble over the essential premise that all men are sinners deserving of death, but God's answer to that problem is a narrative far superior to any other story ever written from the beginning of time.

It is the story of the Divine Person leaving His lofty and Holy abode in order to take residency in the humble state of humanity and then to take it upon Himself to pay the penalty that everyman deserves and thus free everyman from the condemnation that was the ultimate outcome of his humanity.  One may reject the idea that such a narrative is even necessary, but only in the world of Alice can it be denied that this narrative represents the highest form of ethical construction ever conceived, either before or since His time; the ethic which says that love drives a man to lay down his own life for another.

[One] may object to the premise that everyman stands guilty in the eyes of the Christian God and thus reject the free gift that he offers in the form of a pardon.  I personally find myself lacking the ability to rise to His ethical standard.



Gary Price: The Thinker

“Did you write the book of love
And do you have faith in God above
If the Bible tells you so?”
While I love the idea of an engaged readership, it is not quite clear that this Reader is actually “taking me to task” for any particular ideas from the Sightedness essay! Paul does perhaps says more universally and more eloquently with his “now we see darkly,” what my essay also expressed, with a perhaps poorer image, of the Christian Everyman’s self-ordained Protesting right to interpret the Writ, heedless of insight, sightedness, or competence; but I have no quarrel with Paul’s thinking, and, in fact, obviously side with his impression on this question. To be Uninformed is to be Blind in the truest sense of that word.

I also agree with the “uniqueness” point the Reader raises about the Christian narrative. However, it would seem that some of our conclusions clearly differ about possible meanings surrounding that uniqueness. The reasoning animal has the native right, as well as an inherited obligation to those who will come after, to ponder and consider the world around him – such is, at any rate, the premise advanced not only by the philosophical traditions of the pagan thinkers, but also by Augustine, Anselm, Aquinas, and a long line Christian thinkers. Consequently, I do not consider the uniqueness of any mytho-narrative, and particularly that of the Christian tradition, to be a selling feature; because the Christian narrative has been constructed over long centuries by interested parties, and is therefore no longer either well-grounded in the Biblical texts nor propositionally neutral in terms of its historical value. Nor are the texts themselves, when considered in their own right as documents of history, necessarily competent & neutral records of historical events. Also, because it is possible to measure the Christianly constructed Narrative over and against the biblical texts, which activity renders any number of irregularities to thinking or to reason, i.e., paradoxes or irrationalities, it is becoming more and more apparent to Thinking Man that neither the Christian narrative nor the biblical texts make a particularly strong showing in the cold and unforgiving light of Thoughtful, Reasoned Day. Unfortunately. Because thinking about these matters would be so much easier were all the records of human historical experience clean and simple, and the Christian stories more reliant on the Biblical records.

We have made the case elsewhere that the Christian message (Jesus + Messiah), as a part of its historical inheritance, has neither intrinsic ethic nor worldview, both of which it borrowed, infinitely more from Greek philosophy than from Jewish religion. This reminder is relevant to our Reader’s question in a follow-up essay, “How is it then, that in this day and age, Christian sermons appear to be more structured as philosophical arguments? Why is it that sermons today sound more like persuasion than proclamation? Is it possible that Christianity has somehow lost its way by straying from the essence and structure of the original message?”
            It is clear that the Reader’s conclusion is that we should jettison all the highfaluting philosophical trappings of Christian historical theology, and much like Martin Luther of old, should return again ad fontes in order to refresh ourselves in the cool waters of the original “pristine” proclamation of the Jesus message. However, that “original” message is also itself, unfortunately, indelibly framed by the historicized and edited and philosophically informed interpretative traditions that religions have found for the biblical texts in general; and these doctrinal traditions invite us, unavoidably, to interpret the Message, which is far less pristine than many imagine, some through literalism, others through mythology, and still others through metaphor or allegory. Where does the “Truth” lay in that minefield?
           
"[…]And we sang dirges in the dark
The day the music died"
There are entire libraries dedicated to the study of the Judeo-Christian texts and teachings, and one will find ferreted away in the most obscure corners of those libraries all the research that is interested in the connections of Judeo-Christianity to Greek philosophy, Jewish religion, and other ancient Near Eastern religions and mythologies. The evidence is unanimous, both from the biblical texts themselves and without, that Christian doctrine and hence the Christian system of belief is the reasoning handiwork of human speculation. This evidence extends all the way up to the heavens themselves to embrace the profile of the Christian God -- He is a creature of whole-cloth philosophical speculation. This is not to say that there are no gods, only that they are constrained and therefore changed by our interpretive framings and filters. There is no pristine narrative fountain to go back to—all information, all data, is woven into the warp and woof of our understanding through our words… and transformed in and by that action.
            If this is in fact an accurate assessment of the way in which truth becomes truthful for Men, with all of the dangers and foibles that beset that way, then the Reader’s frustration will only increase by remaining committed to the method of trying to go back to some “original” message, which is suggested in a later essay:
“The central idea [of this essay] is simply that Christianity was never intended to be a philosophy. Philosophy draws from various sources of knowledge and employs the tools of reason and logic to ascertain truth. The fact is that the truth presented by the life and teachings of Jesus could never be arrived at by reason and logic. Even with the source of knowledge provided by the Old Testament scriptures, it required additional revelation in order for the disciples of Jesus to grasp the truth of who he was and what he was accomplishing. It was not reason and logic that revealed these things to the disciples, it was the divine revelation afforded by Jesus himself.”
[…]
“Perhaps it is well past time to rethink Christianity altogether and to begin divorce proceedings with the philosophical concepts which have obscured and corrupted the original message. The original gospel was meant to be proclaimed not deduced. And the followers of Christ were never instructed to develop cleverly designed arguments intended to persuade. Like the Dude, they were merely instructed to abide (John 15:4-7, 10, KJV).”

For these reasons and others, the Reader’s conclusion to return ad fontes is simply not compelling. The study of philosophy and religion would be so much more convenient were it really the case that we could simply open a Book, almost any book, to discover the truth about our past and ourselves. But things are never that easy, are they?!
            Instead, it seems that the gods have stepped completely out of the world… and that We Mortals are left alone to explain however we may, rationally and irrationally, the ostensibly closed-system vacuum in this existential puzzle-paradise we call Our World. This kind of study is not about what might truly have been Once Upon a Time in the youthful days of Man’s adventures in the world, but rather whether knowledge of those days can be deciphered by Us today with any degree of reasonability or reliability; and in this playing field all the available evidence seems to point to the factum that we are alone in the world—left to sort ourselves out, however we may or may choose, with the other co-inhabitants of this Place.

To return again to the idea of narrative “uniqueness,” and linked to that idea, the Reader also makes an appeal to the high ethical standards of the Christian God. Yet this, precisely, is what I do not have the sight to see. The rhetoric of faith has it that God is just; but can we really not “hear” the words of the Christian argument: that the Justice of this Christian God is to slaughter an Innocent Son of His, which act, magically, has some value, individually, for a world full of human failure. This is no act of Justice; and it is in fact and to the very highest degree, profoundly Unjust. Therefore, at the very least the interpretation that Christian Doctrine has given to this act must change. Even should I accept the historical death of Jesus, the narrative that reads this as an act of Justice is unacceptable to reasoning and just men. This is no justice that Men can divine, therefore it is not justice… just an irrational narrative that asks us to understand as justice an act that is not just, in diametrical opposition to the justice of one such as Socrates, which is clear and reasonable, and has the virtue of making the just man also the beautiful man.
            So it has long seemed to me that the Christian narrative must have taken a wrong turn at some point in its history to arrive at this conclusion about Christian Justice, which is no Justice at all, or at least not any type of Justice known to men who have been thinking about justice since the dawn of human history. My interest and the years of my study have always been dedicated to finding out where these types of thinking mistakes were made in the history of constructing the Christian narrative, and then to trying my hand at reconstructing a better narrative interpretation. Because for me it is to insult Reason itself to attribute to God, for example, a notion of Justice that is actually its exact opposite—an injustice. This is to render God irrational, and, by extension, the crown of His creation intellectually vacuous.

"And in the streets, the children screamed
The lovers cried and the poets dreamed
But not a word was spoken
The church bells all were broken"
Thinking died for Christianity on a summer’s day in Nicaea (in what is today, Turkey) in the year 325 A.D.
            Belief and the death of thinking… It is imperative that we do not simply rest in the authority surrounding the various ideas that we hold dear and in which we are persuaded to put our faith; but we must insist on putting to the test everything, both in- and outside our authoritarian belief box—our Truth, in order to determine whether our reasons and our reasoning are and remain equitable. It is only in this manner, after all, that we keep justice or rightness [Dίκη] in Thinking. In this respect I am much like the cultivated Greek of the 2nd century transplanted into the 21st century… I have chosen to take a stand concerning my Thinking Life using logismos, reasoned conviction, which is grounded in the archaic notion of phronesis or intellectual insight, and which is the rational basis for the ancient Greek philosophical virtues of courage, self-control, and justice. It is an interesting irony of history that these same Stoic philosophical virtues would be quickly subsumed into Christian Thought, except for the grounding virtue of phronesis.
            It has become a reasonable choice for me, then, that I would disdain the religious conception of pistis or faith, an inferior conception of “knowledge” derived from a platonic thought tradition, which embodies intellectual “blindness” in the sense that it is irrational and unexamined, and which, according to E. R. Dodds (Pagan and Christian in an Age of Anxiety, 1968, 120ff), “was the state of mind of the uneducated [Greeks], who believe things on hearsay without being able to give reasons for their belief.” It is an unfortunate circumstance of history that the Apostle Paul would come to represent “as the very foundation of the Christian life” the idea of pistis instead of logismos.
            To sketch out briefly the lines of the history of an idea, in our West pistis would become the foundational or sine qua non virtue for framing religious belief, both among Christians and later Neo-Platonist philosophers. So it seems to me that we are in dire need of a new Reform; that it is high time we began to challenge again the statu quo of Christian arguments and beliefs that were, frankly, intellectually obscure and therefore barely plausible on the day the ink was still drying on the Council codicils—indeed, it still offends Intelligence that the Church was brazen enough to encourage thinking men, on pain of death, to accept “concepts” that were already defined as paradoxes and articles of faith in that day, and which today are simply unbelievable. In this New World of ours, Christianity must return to a different age, to an earlier day when logismos mattered more than pistis. The life of the Church depends on it; and if it does not happen, then in due course Christianity will take its place alongside other narratives for children and those of more simple faith as merely another variation on a Mother Goose theme, or as another moral tale that will eventually fade away because it does not make any sense. This was Nietzsche’s prediction.
            So at the Council of Nicaea, in 325 C.E., an authoritarian or authoritative “Truth” concerning the Christian message was codified, and Thinking died. Ever since, those who have not been persuaded by the details of the specific interpretative truth categorized at Nicaea have been systematically anathematized—sentenced to spend eternity in hell. And, yet, if truth be told, even Paul and his Thinking about the Cosmic Christ do not belong to post-Nicaean Christianity, if one may judge by the Pauline and distinctly non-Trinitarian gospel-kerygma he leaves behind in his first letter to the Corinthians (Ch. 15)–
“Now, brothers, I want to remind you of the gospel I preached to you, which you received and on which you have taken your stand. By this gospel you are saved, if you hold firmly to the word I preached to you. Otherwise, you have believed in vain. For what I received I passed on to you as of first importance: that Christ died for our sins according to the Scriptures, that he was buried, that he was raised on the third day according to the Scriptures, and that he appeared to Peter, and then to the Twelve.”

After Nicaea, only the filters of Nicaean Christianity became the acceptable measure of truth about the Christian message, which puts Paul and many others I suppose, myself included, in pretty much the same rudderless boat at some 2000 years remove—hell-bound.
            Perhaps the Christ crucified was Paul’s idea of a skandalon, a stumbling block, or foolishness (I Cor. 1:23); it would seem, however, that he should have reserved that kind of tag for the resurrection, which is, if ever there was, an event of a mythological order in the fine narrative tradition of dying and resurrecting gods, such as Dionysius and Osiris. Men’s dying for one another is an act that is generous and beautiful in the world of human history; Gods’ dying and resurrecting, on the other hand, seems only to have echo in the world of legends and myths. Against the empirical and crushing weight of a world given over to material death and decay, the NT stories of resurrections, of Lazarus [Jn. 11], Jairus’s daughter [Mk. 5:35ff], Tabitha [Acts 9:36ff], and of Jesus himself, are simply too unique to belong meaningfully to real-time and literal interpretations without some sort of reasonable support from empirical sources. Such events as these are more at home in mythological time than in historical time; and their meanings are actually much more meaningful in that former realm of translation.
            Professor Ehrman, a Professor of Religious Studies, has suggested that new research is pointing to the fact that maybe Jesus was pretty sure he was a prophet, but that the texts do not support that he thought himself a god… Did Jesus think he was God? New insights on Jesus’ own self-image. And so the intrigue continues and will not be solved here today.

"And the three men I admire most
The Father, Son and the Holy Ghost
They caught the last train for the coast
The day the music died."
To return again to the theme of uniqueness – imagine that, in a universe where planets all rotate in one direction, one day, one planet decides to rotate in the counter direction, only for one day. Then it becomes sensible again and spins merrily along in harmony with the other planets. Imagine, as well, that there is some witness of or evidence for this occurrence. This, one might argue, is a unique event—an historical singularity no less so than any mathematical singularity; and even if there were some record of its occurrence, every reasonable man would be absolutely in his right mind to question the “meaning” or “possible consequences” of such an unusual event. So it is with resurrections when they are literally read, and not read just as myths and metaphors.
            It is indisputable that such events as resurrections have mytho-meaning, but it is not so clear that they have much reasonable or inherent currency in a dimension, ours, which is dominated, saturated by raw empirical subsistence. This is the difference between the stories of resurrections when read by Jewish Pharisees, who were always literalists, and the same exact stories read by Jewish Sadducees, who were anything but literalists. In the first instance, one argues that the resurrection has empirical value, as real-time event, and in the second instance, one reads the resurrection as metaphor, as a spiritual transformation or conversion of the individual to a new life. From an interpretative point of view, it is simply not possible to make plausibly the case that the non-literalist interpretation of the event is not the correct (or the also correct) first reading.
           
So at the end of the day, it seems that my being “taken to task” by our Reader is actually related to the idea that I do not take a specific Christian stance concerning the questions I raise. Yet I cannot take this stance with such a flawed, yet I think perhaps fixable narrative. This fixing is the story of my scholarly life.

Simple Belief darkens the mind. Kierkegaard, in his essay “Every Good and Perfect Gift,” (p. 32), seems to allude to this passive darkness of the mind in response to this text from the NT book of James:
“’Every good and every perfect gift is from above, and cometh down from the Father of lights, with whom is no variableness, neither shadow of turning.’ So they sat in their quiet sorrow; they did not harden themselves against the consolation of the word; they were humble enough to acknowledge that life is a dark saying, and as in their thought they were swift to listen to see if there might be an explanatory word, so were they also slow to speak and slow to wrath. They did not presume to give up the word; they longed only for the opportune hour to come. If that came, then they would be saved.”

In this redux version of American Pie, Do you recall what was revealed / The Day that Thinking Died…?